Records | ArchivesSpace at the University of Iowa

At Last / Fencott, P.C.., 1985

Item

Identifier: CC-11215-11430

Scope and Contents

Fencott uses dense abstract computer generated forms as the ideograms. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

bit international: A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit INternationasl 1961-1973. No.1-9 / Margit Rosen, editor ; Weibel P ; Adrian M ; Agnetti V ; Bense M ; Dimitrijevec B ; Dorfles G ; Eco U ; Franke H ; Kestner K ; Metzger G ; Mohr M ; Moles A ; Morellet F ; Munari B ; Nake F ; Nusberg L ; Romberg O ; Schmidt SJ ; Szombathy B ; Valoch J ; Bill M ; Uecker G ; Wyss M ; Roth D ; Soto J ; Vasarely V ; Nannucci M ; Bonacic V ; Sutcliffe A ; Cordeiro W ; Sykora Z ; Accame V ; Alviani G ; Belloli C ; Blaine J ; Bory JF ; Bremer C ; DeCampos A ; Ferro L ; Gappmayr H ; Garnier P ; Plamen I ; Gerz J ; Gomringer E ; Kolar J ; Goeritz M ; Kriwet F ; Lora-Totino A ; Lucie-Smith E ; Mangelos ; Mayer HJ ; Moineau JC ; Morgan E ; Niikuni S ; Ovcacek E ; Parmiggiani C ; Rocher G ; Perfetti M ; Pogacnik M ; Sarenco ; Schmidt W ; Simonetti GE ; Schmidt W ; Spatola A ; Ulrichs T ; Vaccari F., 2011

Item

Identifier: CC-54846-990276

Scope and Contents Amazon.com: This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place: the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of "art as visual research," the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture. With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb"”already one of the most vibrant artistic centers in Yugoslavia"”into an international meeting place where artists, engineers, and scientists from both...

Dates: 2011

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

[Computer Art] / Petasz, Pawel., 1991

Item

Identifier: CC-04207-4286

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

dbqp: Hugo Banner Suarez #1. No.22/Feb / Miekal And., 1988

Item

Identifier: CC-14931-15244

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Dear Ruth & Marvin - Thank You / Norman, Suzan., 1989

Item

Identifier: CC-05519-5625

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Interface / Dencker, Klaus-Peter, editor ; Weiss C ; Fludd R., 1992

Item

Identifier: CC-14710-15023

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Machines Vertige, en Cours de Scenes et d'Actes / Maillard, Claude., 1993

Item

Identifier: CC-06532-6651

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Number 10: Y / Petasz, Pawel., 1991

Item

Identifier: CC-04209-4288

Scope and Contents

This work was composed on an Amiga computer and printed with an Epson printer. The male figure in the center of the print holds a capital 'Y' in his right hand. The capital 'Y' denotes the word "why?" and appears in a painting by Petasz that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry